Charlotte Sometimes: The Redoubled Subject

A typical reader of ‘Charlotte Sometimes’

Not as oneself did one find rest ever, in her experience […] but as a wedge of darkness.To the Lighthouse, Virginia Woolf

This double, then, the guaranteed the autonomy of the subject, [allowed for a] freedom from a pathetic existence in which it could be manipulated by other things, persons, or traditions. But once this double was thus detached, once it was set loose in the world, it was inevitable that the subject would occasionally “run into it,” approach it a little too closely. Whenever this happens, anxiety signals us to take our distance once again. Read My Desire, Joan Copjec

By account of the author herself, Penelope Farmer’s Charlotte Sometimes has remained in print since its first edition due in large part to the song by the same name released in October of 1981 by the Goth group, The Cure—indeed, it is the only novel of her large body of work to do so. Since then the book has received readership by many Goths who, if only for their love of The Cure, have sought out the original text which served to inspire one of the gloomiest anthems of twentieth century popular culture…

-Andrew Fairweather

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